Saturday, June 26, 2010

Memes We Like: Anosognosia (or, Certainty is a Virus)



Erroll Morris has a fascinating 5-installment series in the New York Times this week on "anosognosia"--the lack of knowledge of one's disease or impairment.The condition was first recognized in cases of paralysis--specifically in cases of hemiplegia, paralysis of one side of the body. In some cases, it is as though the paralyzed side of the body does not exist. If asked the pick up a pencil with the paralyzed hand, the patient will simply do nothing, and act as if the request is directed to someone else.

Morris takes this further, toward more modern investigations into the inability to discern one's own incompetence, also known as the Dunning-Kreuger Effect: "our incompetence masks our ability to recognize our incompetence." Morris stretches the concept to where he really wants to go: to the heart of consciousness, or the possibility of really knowing anything. It is the sort of paradox Borges would have loved. How can we ever know what we don't know, when we don't know enough to even know what we don't know? He invokes Dick Cheney's "unkown unknowns," a concept that I once found the paragon of double-speak, and that I have come around to thinking is the most (perhaps unintentionally) humble thing he said while in office. Morris interviews a Stanford neuro-scientist, V.S. Ramachandran, who gives one of the best quotes in the piece: "What we call belief is not a monolithic thing; it has many layers." But we treat belief as though it is something refined and clear and of whole cloth. Maybe that is a defense mechanism in the face of paralyzing uncertainty. But doubt is our best defense against failing to address the world as it is, rather than as we would prefer it to be.

Which leads me to my point here. I distrust certainty. While I do admire some people 
I know who engage the world on fairly direct terms--what is right and what is wrong is generally quite clear and actionable to them--I find too often that we live in a culture that overvalues action based in a certainty ungrounded in sufficient awareness of detail and nuance. 

I was recently in Oklahoma City and visited the Memorial there, at the site of the bombing of the Murrah Federal Building. I knew how the site designers had chosen to represent the dead with rows of brass chairs, smaller ones for the children. I thought the concept melodramatic. I prefer the restraint and elegance of monuments (give me an obelisk any day), or  modern approaches like the Vietnam War Veterans Memorial. But in the presence of the chairs, they did give rise to an awareness of the humanity they represented.


Each chair was a life. Each life was a vast and complex entity. And all of them sacrificed to an idea, a crazy, stupid idea acted upon by a man who was evil, certain and evil. I suddenly had a new understanding of evil. That evil is simple. It requires only that you believe that you know something profound and ineluctably true. It may be only one thing, but that is all it takes.

Evil requires certainty, unwavering commitment over time to an idea that strips the world of its true essence--complexity, richness, unknowability. 
It is by doubt, not certainty, we will be saved. 

Sunday, June 20, 2010

Moise Kisling, 1891-1953

Every musem has at least one special painting. This is even true at the Oklahoma City Museum of Art, which is a better collection than you would expect, despite having marred its lovely foyer and half of one floor by filling them with the treacly works of the Thomas Kincade of glass, Dale Chihuly. I was stopped by a painting in the20th  European collection, Red Roofs (no image available) by a painter I had never heard of, Moise Kisling. He was born in Krakow, moved to,and fought for France in WWI, and did his best work in the Montparnasse district of Paris alongside Modigliani (whose portrait of Kisling is one of the easier works to find). The more I found, the more impressed I was, and the more surprised that Kisling has remained under-recognized. 

Here are a couple of paintings I was able to find. I detect distinct tones of another personal favorite, Remedios Varo. More Kisling works here

Portrait of Rosine Fels

Portrait of Jean Cocteau










Sunday, June 6, 2010

Wednesday, June 2, 2010

"Clever, Tasty Words"

You really should take half an hour and enjoy the All Songs Considered host Bob Boilen's attempt to interview pop's legendary enfant terrible and antagonist, John Lydon, aka Johnny Rotten, of The Sex Pistols and Public Image Limited (PiL). Boilen was well prepared for the exercise, but even then he was left speechless by Lydon on more than one occasion. (Not that anyone else could have done appreciably better.) It was bracing to hear Johnny still so full of brio and opinion and humor.

You Can't Handle the Rotten

Reasons to Be Cheerful, Part 4: Sensitive iPods

If your iPod is like mine, it can sense when you’ve had a rough night--one of dark brooding thoughts and existential questions that banish sleep when you most want it--and it looks at you and thinks, “That one needs a bit of cheering up.” And out of that generous spirit it delivers you, out of 3,000-plus songs in the playlist you’re shuffling, this obscure bit of aural sunshine:  Ian Dury and The Blockheads’ “Reasons to Be Cheerful, Part 3.”

Reasons to Be Cheerful



And, god love the internet, some hapless souls have taken the hours from their lives to type out the lyrics for us to all sing along. Ahem...

Why don't you get back into bed (x 10)

Reasons to be cheerful part 3
1-2-3

Summer, Buddy Holly,
The working folly
“Good Golly Miss Molly”
And boats.

Hammersmith Palais,
The Bolshoi Ballet
“Jump back in the alley”
And nanny goats.

18-wheeler Scammels,
Domenicker camels
All other mammals
Plus equal votes.

Seeing Piccadilly,
Fanny Smith and Willy,
Being rather silly,
And porridge oats.

A bit of grin and bear it,
A bit of "Come and share it.
“You're welcome, we can spare it.”
Yellow socks.

Too short to be haughty,
Too nutty to be naughty,
Going on 40,
No electric shocks.

The juice of the carrot,
The smile of the parrot,
A little drop of claret,
Anything that rocks.

Elvis and Scotty,
Days when I ain't spotty,
Sitting on the potty,
Curing smallpox.

Reasons to be cheerful part 3 (x 4)
1-2-3
Reasons to be cheerful part 3

Health service glasses,
Gigolos and brasses,
Round or skinny bottoms.

Take your mum to Paris,
Lighting up the chalice,
Wee Willy Harris!

Bantu Stephen Biko,
Listening to Rico,
Harpo, Groucho, Chico.

Cheddar cheese and pickle,
The Vincent motorsickle,
Slap and tickle.

Woody Allen, Dali,
Dimitri and Pasquale,
Balabalabala and “Volare.”

Something nice to study,
Phoning up a buddy,
Being in my nuddy.

Saying "Okey-dokey,"
Singalong a’ Smokey,
Coming out of chokey

John Coltrane's soprano,
Adi Celentano,
Bonar Colleano.

Reasons to be cheerful part 3 (x 4)
1-2-3

Yes yes,
Dear dear,
Perhaps next year
Or maybe even never...

in which...case...

[awesome sax break]
 
Reasons to be cheerful part 3 (x 9)
1-2-3
Reasons to be cheerful part 3 (x 4)
1-2-3
Reasons to be cheerful part 3

[repeat to fade]

If you’d like to get a rundown of all the references here--some veddy British, some silly, others just obscure--may I refer you to this helpful page at the BBC website:

Will This Make You Cheerful?

Yes, someone did this, too. Vives les interwebs!